Her first big dick
3rd bikini.com girl installment -
Throw this 'Switch'
Not a single moment rings true in "The Switch," which is unfortunate because it's actually about a situation in which a lot of women find themselves.
Jennifer Aniston's character, Kassie, is a single, 40-year-old New York TV producer who wants to have a baby but doesn't want to wait around for a man — or worse yet, the wrong man — to make that happen. So she turns to a sperm donor, only to have her longtime best friend, the uptight stock trader Wally (Jason Bateman), switch the specimens in a drunken stupor.
Why, you may be wondering, does Wally even have access to the cup that contains the makings of Kassie's future child? Because the whole deal is going down at an insemination party thrown by the movie's obligatory wacky best friend (Juliette Lewis), complete with jokey turkey basters. Like most situations — and like the similarly hokey "The Back-up Plan" from earlier this year, starring Jennifer Lopez — this one is played in broad, sitcommy fashion, utterly divorced from the way people behave in real life.
Source: www.kansas.com
Ferrell weak point in 'Guys'
"The Other Guys," the new Will Ferrell cop comedy, is good. But it would have been great without Ferrell. His untethered performance beats the comedy life out of most of his scenes.
Ferrell plays Allen Gamble, a numbers-crunching New York detective content to sit at his desk. Terry Hoitz (Mark Wahlberg), who's been partnered with Gamble as a punishment for shooting a sports legend, desperately wants to get into the streets and stop some real criminals.
He gets his chance to be a hero when a routine case turns into a major crime. (I know, this sounds a lot like the lame Fox TV series "The Good Guys" but they really are two different projects.)
Source: www.kansas.com
'Micmacs' a cute story, if perhaps a bit too whimsical
Writer/director Jean-Pierre Jeunet may not be a household name in America, but he certainly has a cult following among art film fans.
He has become known for his quirky cleverness and sumptuous visuals, whether the story is despairingly grim (“The City of Lost Children”), darkly whimsical (“Delicatessen”), fantastically romantic (“Amelie”), or broadly epic (“A Very Long Engagement”). His most commercial outing in America, 1997’s “Alien: Resurrection,” was probably his least artistically successful effort.
“Micmacs,” Jeunet’s first film since the 2004 war drama “Engagement,” is a nice return to his more carefree days. It’s a delightful, breezy, cartoonish caper that won’t change your life, but will put a smile on your face. It’s so much like a live cartoon that it even unapologetically dips into the Looney Tunes bag of tricks, complete with people being shot out of cannons.
Source: www.kansas.com
What Are Pheromones And Do They Really Work?
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Pheromones — We've all heard of them, but what are they really? And do they really work? Today's show is brought to you by PherX.com — The scent of attraction… Today we're talking about Pheromones - how they work, do they work, and will they work for you. Distributed by Tubemogul.
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From: DanAndJenn
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3-D films have choregraphers thinking outside frame
The pressure to come up with new and exciting dance moves often keeps choreographers thinking outside the box. Now, with the flood of 3-D film releases, they must also think outside the frame.
"It's not just the choreography within the frame but the frame itself," says Jon Chu, director of "Step Up 3D," which opens today. "With 3-D, the frame becomes a much more active partner, and it becomes a duet between audience and dancers."
"Step Up 3D" and "StreetDance 3D" demonstrate how choreographers and dancers have managed to overcome the rigors of 3-D filmmaking to create dance sequences that take full advantage of the eye-popping format.
Source: www.kansas.com